Lysha_Montiel_Invitation_36x24x1.5

Lysha Montiel

Albuquerque, NM

Invitation

acrylic, gouache, ink

24" x 36" x 1.5"

2024

$1800

About

Lysha Montiel, born in Tucson, Arizona, grew up in Southern California and moved to Santa Fe, New Mexico in 2005. She currently resides in Albuquerque, New Mexico. She is a predominately self-taught, abstract mixed-media artist. In 2024, her painting Gathering Light, was purchased by the Albuquerque Public Art Collection, through OffCenter’s New Works Program. The same painting, Gathering Light, was selected as The BoldBrush Award Winner (Abstract) in the April 2024 online BoldBrush Painting Competition. Her painting, Hues of Gravity, was jury-selected for the Women’s Work 2024 show at Ghostwolf Gallery. She received her M.A. in Counseling Psychology with an Emphasis in Depth Psychology, from Pacifica Graduate Institute in Carpinteria, CA, which informs her process as the program delved into the collective unconscious, psyche, archetypes, and mythology. Her work is poetic, profound, prolific, gutsy, and symbolic. It is atmospheric with a hint of landscape and space. She is a builder of ephemeral worlds with visionary and fantastical elements on one hand and an architect of fragments that look like they have always existed. Her work invites the viewer to project.

Artist Statement

I’ve been an abstract artist for 25 years. When I paint, I feel fluid, joyful, and bold. My uninhibited approach to painting was nurtured by my mother early on through encouragement, free play with art supplies, and room to explore. Getting messy was a good thing. I was diagnosed with hearing loss at the age of 40. The straining to hear disappears when I paint. My art is a visual conversation and a way to connect with others. Nature, the cosmos, and the unseen inspire me. The journey of discovery, and perhaps the collective unconscious, is what drives me. I am looking for something new in each painting that resonates spiritually. It’s almost like prayer or birthing a poem. I often start with nothing in mind. My unconscious propels a first choice of color, which I then apply directly to the canvas. From there, additional colors, a water spray bottle for surprise effects, gestures, marks, and even the removal of paint, are chosen based on my intuition and quest for balance. Unconventional tools are also part of the experiment. I primarily use acrylics but also incorporate inks, watercolor, collage, gouache, and various mediums. Movement (sometimes very physical) and other choices come from an interior space expressed through color, line, and texture. Some pieces are quick, and others have 10 or more layers of construction and deconstruction, with under layers peeking through like ruins.

Art from Lysha Montiel in other TAAC exhibitions

This is Lysha Montiel's first TAAC exhibition